"Why do some videos pull you in completely? And you don't even feel like you're watching?"

How to Film
a Sequence.

Come with me for 45 minutes. By the end of this course, you won't just know how to film a sequence. You'll have made one to post on your page.

45 mins total
One sitting
or 15 mins a day
Any camera including iPhone
I'm in. Let's go. Is this for me?
★★★★★
Bryan Hynes
400K+ followers
8 lessons · 10 PDF guides
Imagine what you could do

Some videos pull you in. Others just sit there. The difference is a sequence.

The real barrier

Filming yourself?
Stop winging it and
film in sequences.

Filming yourself can feel embarrassing and cringe, especially if you're figuring it out as you go. It takes longer than it should. And when the shots don't work, you feel like giving up.

Knowing your shots and your sequence changes that completely. It's a small change that means you walk in with a plan, move with purpose, and get the results you're stoked with. That's what this course actually gives you.

What changes when you know your sequence
  • ✗Pointing and hoping
  • ✗Three hours in the edit fighting footage that was never going to work
  • ✗Watching it back and cringing
  • ✗Not posting because it doesn't feel good enough
  • ✓Walk in knowing your shots
  • ✓Shoot faster. Edit faster. Story flows.
  • ✓Make people feel something when they watch
  • ✓Post it with confidence
The core idea
A movie technique.
Your visual story.
45 minutes.

Sequences are how every great film is built. Directors have used this framework forever. This course teaches you to apply it to anything you shoot: social content, brand videos, personal projects, docs.

Show, don't tell. That's the whole skill.
Speeds up your shoot
Speeds up your edit
Creates a story that immerses
This is what the skill does

Same camera.
Same location.
Different result.

The difference is knowing how to create a sequence so your shots do the heavy lifting to tell a visual story.

One shot. No story.
vs
A sequence.

The 1988 Collection — shot on iPhone in Apple Log.

Skip Netflix tonight
45 mins.
Binge this instead.

"I designed the lessons to be short, punchy, and straight to the point. I don't want you spending hours behind a screen. I want you out there filming sequences."

Option A: One sitting, start to finish
Option B: 15 minutes a day, three days
Real student. Real result.

What happens when
you apply it.

Elena Walsh Elena's reel
Elena Walsh
@littlemanlyphotography
Lifestyle photographer · Sydney
Before

Shooting disconnected clips. No connected sequence. No plan for how it would come together. Average views: 2,000–5,000.

After

Boutique shoot. Walked in with a plan, nailed her opening shot for the hook. Her vision came alive. She shared it, and it became one of her best-performing pieces ever.

69.1K
views
11.5K
first few hours
78%
non-followers

Sequences aren't about views. They're about connecting and immersing an audience in a visual story. The views are just what happens when you do that well.

"The engagement and feedback on this reel have honestly been amazing. It's probably the best-performing piece of content I've made so far."

— Elena Walsh, course student
The course

Three days.
One skill you'll
use forever.

Three days is the structure. 45 minutes is the content. Go at your own pace. One sitting or 15 minutes at a time.

Each day builds on the last. By Day 3 you won't just know how to film and edit a sequence. You'll have made one, ready to post.

Every lesson has a PDF guide. Download it, put it on your phone, take it on location.

Course Structure
Day 01
The Four Shots
Wide, medium, tight, creative. Framing, composition, light. How to see a great shot wherever you're standing.
Day 02
Shoot the Sequence
Plan it out loud. Shoot with the edit in mind. Get coverage so the edit builds itself.
Day 03
Edit it Together
Grade first. Cut on action. Layer sound. Titles. Export. Share it.
Full curriculum

8 lessons.
10 PDF guides.
No fluff.

Every lesson is short and punchy. Filmed live across three cameras. Each one comes with its own PDF guide. Download it and take it on location.
Binge it all in 45 minutes or break it down over three days, 15 minutes a day
WelcomeIntroduction1 video · 2:17
Intro
Welcome + Camera Settings Guide
Sets the tone. Covers every camera and phone. Your phone is enough to start.
Camera Settings Guidebook PDF
2:17
Day 01Framing, Composition & The Four Shots2 lessons · 8:03
Lesson 1
Framing & Composition
Rule of thirds, leading lines, foreground depth, light, colour, how angles change emotion.
PDF guide included
4:14
Lesson 2
The Four Shots
Wide, medium, tight, creative. All four around one subject and what each does to the viewer.
PDF guide included
3:49
Day 02Plan, Shoot & Get Coverage2 lessons · 10:36
Lesson 3
Plan & Shoot With the Edit in Mind
Plan out loud before you press record. Intro shot, end shot, everything in between.
PDF guide included
4:42
Lesson 4
Shoot the Sequence & Get Coverage
Same action from multiple angles. Filmed live across three cameras so you see the whole process.
PDF guide included
5:54
Day 03Colour, Cut, Sound & Export4 lessons · 24:30
Lesson 5
Colour Grading
See the look first. Conversion LUT, basic correction, finishing look on an adjustment layer.
PDF guide included
5:20
Lesson 6
Cutting on Action
Where to cut. Why movement makes transitions invisible. Raw footage into a sequence that flows.
PDF guide included
6:47
Lesson 7
Music & Sound
Music first, then tighten the visuals. The three-layer sound approach that makes a sequence feel alive.
PDF guide included
5:54
Lesson 8
Titles & Export
Final polish. 4K export. Tag it and share it.
PDF guide included · Eight-Shot Recipe PDF
6:29
How it's taught

You see the
whole process.

Every shooting lesson is filmed with three cameras at once. The main shot. The behind-the-scenes of the gear. A wide showing how I move through the space.

You're not watching a polished tutorial. You're watching it happen live, like you're in the room doing it with me.

Editing is taught in Final Cut Pro, but every technique works in CapCut, Premiere, and DaVinci. I walk you through my process so you can apply the same thinking in whatever software you already use.

"It's going to feel very much like a live-style setting. You're going to feel a part of this as we do it together."

Three camera setup — Main Camera A7SIII, BTS Osmo Action 5 Pro, Desk Camera Sony A74
Main Camera A7SIII BTS Osmo Action 5 Pro Desk Camera Sony A74
Built from real students

Every lesson comes
from a real question.

This course is built from hundreds of real lessons and questions asked in live workshops, online cohorts, and DMs. I know exactly where people get stuck. I've seen it, and after enough lessons, there becomes a pattern.

Every lesson has been refined to cut to the chase. Short. Punchy. Straight to the point. I know your time is valuable and I don't want to waste a second of your 45 minutes. I actually want you to finish this and have a skill you're excited to use.

600+
In-person students
100+
Online cohort students
2,000+
Shots Guide students
1
Core skill
Bonus — The 1988 Collection

Colour grading that feels
like film stock.

Born in 1988. Inspired by nostalgia and built for modern film. The 1988 LUT Collection is included with the course — 11 cinematic LUTs built from the looks Bryan has refined over years of filmmaking. Drag the slider to see the difference.

Log / Flat 1988 LUT

Drag to compare

The 1988 Collection

I grew up in an era without technology and long summer evenings spent outside. Each LUT is named after a piece of my childhood, a colour I can still remember, and the stories that shaped how I see the world today.

These don't just add colour. They evoke nostalgia, bring the warmth of memories, and help you tell a story. Included as a bonus with the course at no extra cost.

The 1988 LUT Collection
Everything included

The course.
Plus all of this.

In the course
  • 8 video lessons — 45 minutes total
  • 10 PDF lesson guides
  • Camera Settings Guidebook
  • Eight-Shot Recipe guide
  • Works in any editing app — FCP, CapCut, Premiere, DaVinci
  • Lifetime access
🎬
Raw footage from the course shoot
Don't have something to film yet? No problem. Practice with the actual raw footage from the course — edit alongside Bryan and build the skill straight away.
Bonus assets
  • The Shots Guide v4
  • The 1988 LUT Collection — warm film tones for your Day 3 edit
  • Pre-shoot and post-export checklists
  • Bryan's title fonts — straight from his own sequences
What people are saying
Student review
Student review
Student review
Student review
Student review
Student review
MK
McKenzie
★★★★★

"You get to meet great people and learn from a pretty cool dude. What's not to love? 100/10."

AN
Anne
★★★★★

"No fuss! Simple and short! Wonderful! Simplicity is the ultimate sophistication."

Student review
Student review
Student review
Student review
Student review
Student review
Student review
CW
Christine Williams
Founder
★★★★★

"I wanted to film solo and get my spark back for content. After this course — both accomplished."

SC
Shannon Cockerill
Head Coach
★★★★★

"Fantastic, easy to follow, digestible and actionable. I'm really happy I purchased it."

Student review
Student review
Student review
Student review
Student review
Student review
Student review
CW
Claudia Wellman
Content Marketing Exec
★★★★★

"Genuinely one of the most valuable creative investments I've made this year."

RS
Ryan Salamat
★★★★★

"The real deal. Practical, inspiring content from someone who clearly loves filmmaking and teaching."

Student review
Student review
Student review
Student review
Student review
Student review
DY
Dexter Yin
CEO
★★★★★

"One of the most inspiring creative experiences I've had. Complex storytelling made simple and relatable."

NK
Natasha Kong
Communications Lead
★★★★★

"I implemented the techniques and a recent reel got over 200,000+ views."

Student review
Student review
TR
Tim Robards
Actor / creator
★★★★★

"Bryan is a legend and a great teacher — perfect for getting your head around camera basics and storytelling."

BA
Beatriz Abreu Lima
Beginner content creator
★★★★★

"Seriously the BEST content I've ever paid for. The amount of knowledge I got is absurd. You won't regret it."

Student review
Student review
Student review
Student review
Student review
Student review
MK
McKenzie
★★★★★

"You get to meet great people and learn from a pretty cool dude. What's not to love? 100/10."

AN
Anne
★★★★★

"No fuss! Simple and short! Wonderful! Simplicity is the ultimate sophistication."

Student review
Student review
Student review
Student review
Student review
Student review
Student review
CW
Christine Williams
Founder
★★★★★

"I wanted to film solo and get my spark back for content. After this course — both accomplished."

SC
Shannon Cockerill
Head Coach
★★★★★

"Fantastic, easy to follow, digestible and actionable. I'm really happy I purchased it."

Student review
Student review
Student review
Student review
Student review
Student review
Student review
CW
Claudia Wellman
Content Marketing Exec
★★★★★

"Genuinely one of the most valuable creative investments I've made this year."

RS
Ryan Salamat
★★★★★

"The real deal. Practical, inspiring content from someone who clearly loves filmmaking and teaching."

Student review
Student review
Student review
Student review
Student review
Student review
DY
Dexter Yin
CEO
★★★★★

"One of the most inspiring creative experiences I've had. Complex storytelling made simple and relatable."

NK
Natasha Kong
Communications Lead
★★★★★

"I implemented the techniques and a recent reel got over 200,000+ views."

Student review
Student review
TR
Tim Robards
Actor / creator
★★★★★

"Bryan is a legend and a great teacher — perfect for getting your head around camera basics and storytelling."

BA
Beatriz Abreu Lima
Beginner content creator
★★★★★

"Seriously the BEST content I've ever paid for. The amount of knowledge I got is absurd. You won't regret it."

Real talk

The stuff you're
probably thinking.

"I don't have a proper camera."

Your phone is more than enough. Bryan teaches the process, not the gear. An iPhone shot with the right framing beats a mirrorless with no plan every time.

"I don't have time for a course."

45 minutes. That's the whole thing. Binge it in one sitting or 15 minutes a day. Either way you finish with a skill you can apply straight away.

"I've watched tutorials. Nothing stuck."

This isn't a tutorial. It's live. You learn by watching the real process, not a polished replay. The raw footage means you can practise immediately.

"I'm not technical enough."

Day 1 starts from scratch. If you can press record, you can do this. The PDF guides mean you're never lost on location.

"I don't know what to film."

That's exactly what this fixes. By the end of Day 1 you'll see sequences in any everyday moment: making coffee, packing a bag, a morning walk.

"Why does this matter right now?"

AI is flooding every feed with generated content. A handcrafted sequence with a real human behind it cuts through in a way nothing else does. This is how you stay human on screen.

Who it's for

Built for people who
show, not just tell.

Probably not for you if...
  • —You already know how to plan and shoot a full sequence with coverage
  • —You're looking for a full filmmaking course
  • —You want shortcuts without building real skills
This is for you if...
  • ✓You want to create visual stories but don't know where to start
  • ✓You feel stuck, embarrassed, or unsure what to film
  • ✓You're short on time and need something achievable
  • ✓You want your videos to feel like a film, not random clips
  • ✓You film yourself and want to do it with confidence
  • ✓You're a creator, educator, or entrepreneur ready to level up
The instructor

Bryan Hynes

"I didn't pick up a camera until I was 28 and spent most of my early 30s feeling like I was so far behind."

G'day. I'm Bryan.

I felt like I started late. I didn't get my first camera until I was 28, at a time when I was at my lowest and feeling like I just had to give this film thing a go. I spent years feeling behind, but I kept going. Gradually I got better, and I fell in love with making visual stories.

I documented people and places, freelanced my own projects around the world, worked in film and as a television presenter, and made a few documentaries before I ever started helping others with what I'd learnt.

I'm not your social media guru or "how to go viral" expert. I just know a thing or two about the art of visual stories and sequences. These days I run in-person workshops and online masterclasses teaching sequences and storytelling to regular people.

Whether you've started late like me and want to make up for lost time, or you just want to learn how to tell a visual story, I've got you. Every lesson in this course comes from lived experience. Real questions from real workshops, real projects, and things I've tested in my own content. I just want to share with you what actually works.

Because let me tell you, you've got this.

My mission: help regular people master visual storytelling with sequences and make it accessible to anyone, no matter the stage you're at.
400K+
Followers
10M+
Video views
2,000+
Online students
600+
In-person students
Bryan Hynes
Quick quiz

Is this course for you?

Enrol today

One payment.
Lifetime access.

Complete Course
How to Film a Sequence
Learn to film and edit a sequence in 45 minutes. Apply the skill straight away.
8 video lessons across 3 days$197
10 PDF guides — lesson guides, Camera Settings Guidebook, Eight-Shot Recipe$49
The Shots Guide — full visual reference$78
The 1988 LUT Collection$19.88
Bryan's title fonts$27
Raw footage from the course shoot to practise with
Pre-shoot and post-export checklists
Lifetime access
Total value$370.88
USD$97
One-time payment · Instant access
Start the Course Now
I dare you to binge it in one sitting, make a sequence, and post it today.I dare you to binge it in one sitting, make a sequence, and post it today.I dare you to binge it in one sitting, make a sequence, and post it today.I dare you to binge it in one sitting, make a sequence, and post it today.I dare you to binge it in one sitting, make a sequence, and post it today.I dare you to binge it in one sitting, make a sequence, and post it today.I dare you to binge it in one sitting, make a sequence, and post it today.I dare you to binge it in one sitting, make a sequence, and post it today.
Lifetime access · One-time payment · Secure checkout
Questions

Got something
on your mind?

Your phone is more than enough. Bryan teaches the process, not the gear. Everything in this course works on an iPhone. The Camera Settings Guidebook covers every setup so you're dialled in from day one.
Yes. 45 minutes of video. 8 lessons, no filler, straight to the point. Binge it in one sitting or 15 minutes a day. You also get 10 PDF guides to take on location.
Bryan edits in Final Cut Pro but every lesson works in CapCut, Premiere, DaVinci Resolve, or whatever you already use. Same thinking, different buttons.
Yes. Day 1 starts from scratch. If you can press record, you can do this. The PDF guides mean you're never lost. And the raw footage from the course means you can start practising straight away, even before you go out to shoot.
One guide for each of the 8 lessons, plus the Camera Settings Guidebook and the Eight-Shot Recipe shot list. Download them all, put them on your phone, take them on location.
Yes. Pay once, access the course for life. No subscriptions, no recurring fees.
Let's get stuck in

Don't just learn it.
Make it.

By the end of this course, you won't just know how to film a sequence. You'll have made one to post on your page. 45 minutes. Let's go.

I'm in. Let's go.